{"id":636,"date":"2025-07-31T16:34:20","date_gmt":"2025-07-31T14:34:20","guid":{"rendered":"https:\/\/www.francoishardel.com\/?page_id=636"},"modified":"2026-02-13T14:55:20","modified_gmt":"2026-02-13T13:55:20","slug":"photographie_et_architecture","status":"publish","type":"page","link":"https:\/\/www.francoishardel.com\/en\/portfolio\/photographie_et_architecture\/","title":{"rendered":"Architectures de lumi\u00e8re"},"content":{"rendered":"

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Maisons Ba\u0165a \u2014 architecture moderniste<\/h2>\n

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Contexte et formes<\/h3>\n

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Approche photographique<\/h3>\n

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Patrimoine maritime \u2014 phares et lumi\u00e8re<\/h2>\n

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Phare de Cordouan<\/h3>\n

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Phare des Barges<\/h3>\n

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Phare de l\u2019Aiguillon<\/h3>\n

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Photographie & architecture<\/h1>\n

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Cette page pr\u00e9sente une s\u00e9rie photographique consacr\u00e9e aux maisons Ba\u0165a<\/strong> de la ville de Zl\u00edn<\/span><\/span>, situ\u00e9e en Moravie<\/span><\/span>, en R\u00e9publique tch\u00e8que<\/span><\/span>.<\/p>\n

Construites entre les ann\u00e9es 1920 et 1930<\/strong>, ces architectures modernistes en briques rouges<\/strong> s\u2019inscrivent dans un vaste projet industriel, urbain et social port\u00e9 par l\u2019entreprise Ba\u0165a<\/span><\/span>. Elles incarnent une conception rationnelle et fonctionnelle de l\u2019habitat individuel<\/strong>, pens\u00e9e \u00e0 l\u2019\u00e9chelle du quotidien, du travail et du territoire.\u00a0R\u00e9alis\u00e9es entre 2008 et 2009<\/strong>, ces photographies explorent la relation entre lumi\u00e8re naturelle, climat et perception architecturale<\/strong>, dans des conditions ordinaires comme hivernales. La s\u00e9rie s\u2019attache \u00e0 observer comment ces volumes sobres, r\u00e9p\u00e9titifs et mesur\u00e9s r\u00e9agissent aux variations de lumi\u00e8re, aux saisons et aux usages.<\/p>\n

\u00c0 Zl\u00edn, l\u2019architecture s\u2019avance sans emphase. Des volumes cubiques, construits en brique, s\u2019inscrivent dans le paysage avec une rigueur calme<\/strong>.
Ni d\u00e9coratives, ni monumentales, ces maisons issues du programme Ba\u0165a affirment une modernit\u00e9 de la mesure<\/strong>, o\u00f9 l\u2019architecture devient un cadre de vie avant d\u2019\u00eatre un signe.<\/p>\n

Cette s\u00e9rie photographique propose ainsi une lecture sensible de l\u2019architecture moderniste d\u2019Europe centrale<\/strong>, envisag\u00e9e comme une exp\u00e9rience lumineuse et habit\u00e9e<\/strong>, inscrite dans un contexte historique pr\u00e9cis et toujours lisible aujourd\u2019hui.<\/p>\n

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Les photographies ont \u00e9t\u00e9 r\u00e9alis\u00e9es en 2008\u20132009<\/strong>, en argentique<\/strong>, au format carr\u00e9<\/strong>, dans une d\u00e9marche d\u2019observation \u00e0 hauteur d\u2019homme.
Il ne s\u2019agit pas de documenter un style architectural, mais de rendre visible la mani\u00e8re dont la lumi\u00e8re structure l\u2019espace domestique et dialogue avec le paysage environnant.<\/p>\n

La v\u00e9g\u00e9tation, les ombres port\u00e9es et les \u00e9l\u00e9ments du quotidien participent pleinement \u00e0 la lecture des volumes, inscrivant ces architectures dans une temporalit\u00e9 v\u00e9cue.\u00a0<\/p>\n

Photographies r\u00e9alis\u00e9es en 2007<\/em><\/strong><\/p>\n

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Une seconde s\u00e9rie, r\u00e9alis\u00e9e en conditions hivernales, montre ces m\u00eames maisons sous la neige.
La blancheur du sol agit comme un plan de diffusion lumineux, simplifiant les formes et accentuant les contrastes.<\/p>\n

La lumi\u00e8re hivernale, plus basse et plus diffuse, ralentit le regard et met en \u00e9vidence la rigueur constructive de ces architectures.
La neige ne recouvre pas l\u2019architecture : elle la clarifie.<\/p>\n

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Photographies r\u00e9alis\u00e9es en 2009<\/em><\/strong><\/p>\n

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Patrimoine maritime \u2014 architectures de phares<\/h4>\n

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Les phares ne sont pas seulement des signaux destin\u00e9s \u00e0 la navigation.
Ils structurent les paysages maritimes<\/strong>, marquent des territoires c\u00f4tiers<\/strong> et deviennent des rep\u00e8res visuels durables<\/strong> pour le regard.<\/p>\n

Situ\u00e9 \u00e0 l\u2019embouchure de l\u2019estuaire de la Gironde, au large des c\u00f4tes de la Nouvelle-Aquitaine<\/span><\/span>, le Phare de Cordouan<\/span><\/span> occupe une place singuli\u00e8re dans l\u2019histoire de l\u2019architecture maritime. Construit entre la fin du XVI\u1d49 et le d\u00e9but du XVII\u1d49 si\u00e8cle, il est \u00e0 la fois monument, dispositif optique et paysage habit\u00e9<\/strong>.<\/p>\n

Cette s\u00e9rie photographique explore la lumi\u00e8re naturelle et artificielle<\/strong> comme mat\u00e9riau de composition<\/strong>. Elle observe la mani\u00e8re dont la lumi\u00e8re circule dans l\u2019architecture, se r\u00e9fl\u00e9chit sur la pierre, traverse les dispositifs optiques et transforme la perception du lieu au fil des heures, des mar\u00e9es et des saisons.<\/p>\n

\u00c0 Cordouan, la lumi\u00e8re n\u2019est jamais d\u00e9corative. Elle est fonctionnelle, mesur\u00e9e, construite<\/strong>. Elle articule l\u2019espace, r\u00e9v\u00e8le les volumes et inscrit l\u2019architecture dans un temps long<\/strong>, o\u00f9 usage, technique et perception demeurent indissociables.<\/p>\n

La s\u00e9rie propose ainsi une lecture sensible du phare comme objet architectural actif<\/strong>, o\u00f9 la photographie devient un outil d\u2019observation des relations entre lumi\u00e8re, territoire et m\u00e9moire maritime<\/strong>.<\/p>\n

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Photographies r\u00e9alis\u00e9es en 2007<\/em><\/strong><\/p>\n

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Signal lumineux et optique depuis 1884 s\u2019inscrit dans une g\u00e9ographie c\u00f4ti\u00e8re plus discr\u00e8te, mais tout aussi structurante.
Son r\u00f4le de signal lumineux participe \u00e0 l\u2019organisation visuelle du littoral.<\/p>\n

Sur ce littoral oc\u00e9anique la photographie s\u2019attache ici aux relations entre b\u00e2ti, lumi\u00e8re et paysage, en observant les variations lumineuses selon les conditions m\u00e9t\u00e9orologiques et les heures du jour.<\/p>\n

 <\/p>\n

Photographies r\u00e9alis\u00e9es en 2021<\/em><\/strong><\/p>\n

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Patrimoine maritime \u2014 phares et lumi\u00e8re<\/h2>\n

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Phare de Cordouan<\/h3>\n

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Phare des Barges<\/h3>\n

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Phare de l\u2019Aiguillon<\/h3>\n

||\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_accordion _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb toggle_level=\u00a0\u00bbh3″ text_orientation=\u00a0\u00bbcenter\u00a0\u00bb width=\u00a0\u00bb99.3%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_accordion_item title=\u00a0\u00bbPHARE D’AIGUILLON\u00a0\u00bb open=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Implant\u00e9 dans un contexte estuarien, le phare de l\u2019Aiguillon marque une fronti\u00e8re entre terre et mer.
Sa lumi\u00e8re agit comme un point fixe dans un paysage en mouvement, il s’agit d’une des plus ancienne lentilles de phares install\u00e9 sur les c\u00f4tes de france.<\/p>\n

Sur ce littoral oc\u00e9anique la photographie s\u2019attache ici aux relations entre b\u00e2ti, lumi\u00e8re et paysage, en observant les variations lumineuses selon les conditions m\u00e9t\u00e9orologiques et les heures du jour. Les images interrogent l\u2019architecture face aux flux naturels, et la mani\u00e8re dont la lumi\u00e8re inscrit le phare dans une m\u00e9moire territoriale.<\/p>\n

 <\/p>\n

Photographies r\u00e9alis\u00e9es en 2004<\/em><\/strong><\/p>\n

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D\u00e9marche photographique<\/h4>\n

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Ces travaux s\u2019inscrivent dans une r\u00e9flexion plus large sur la m\u00e9moire des lieux, la transmission et la durabilit\u00e9 des architectures.
Photographier ces espaces revient \u00e0 documenter des formes de pens\u00e9e construites, des mani\u00e8res d\u2019habiter et d\u2019orienter le monde \u00e0 travers la lumi\u00e8re.<\/p>\n

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Ma pratique photographique s\u2019inscrit dans une approche de recherche, attentive aux conditions de production de l\u2019image.
La lumi\u00e8re n\u2019est pas consid\u00e9r\u00e9e comme un simple moyen d\u2019\u00e9clairage, mais comme un \u00e9l\u00e9ment structurant de l\u2019architecture et du regard.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbTestimonials\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.20.0″ _module_preset=\u00a0\u00bb356875a9-fddf-4778-95e1-e8e6c55f3cca\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Passionn\u00e9 par la mer et ses t\u00e9moins intemporels, Fran\u00e7ois\u202fHardel consacre son travail photographique \u00e0 la mise en lumi\u00e8re du patrimoine maritime\u202f: phares, bateaux et paysages c\u00f4tiers<\/strong>. Ses images captent la beaut\u00e9 brute de ces monuments fa\u00e7onn\u00e9s par le vent, le sel et le courage des hommes, tout en sensibilisant \u00e0 leur fragilit\u00e9 et \u00e0 l\u2019urgence de leur pr\u00e9servation.<\/p>\n

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\u00c0 travers cette collection, d\u00e9couvrez des lieux embl\u00e9matiques comme le phare du Cr\u00e9ac\u2019h<\/strong> ou celui des Barges<\/strong>, mais aussi des navires et \u00e9paves qui portent la m\u00e9moire de notre histoire maritime. Son engagement est aussi un appel\u202f: pr\u00e9server ces rep\u00e8res uniques pour les g\u00e9n\u00e9rations futures et soutenir les actions citoyennes en faveur de leur sauvegarde.<\/p>\n

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Email<\/h5>\n

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contact@francoishardel.com<\/p>\n

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T\u00e9l\u00e9phone<\/h5>\n

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+33(6)77.81.22.84<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Photographie & architectureCette page pr\u00e9sente une s\u00e9rie photographique consacr\u00e9e aux maisons Ba\u0165a de la ville de Zl\u00edn, situ\u00e9e en Moravie, en R\u00e9publique tch\u00e8que. Construites entre les ann\u00e9es 1920 et 1930, ces architectures modernistes en briques rouges s\u2019inscrivent dans un vaste projet industriel, urbain et social port\u00e9 par l\u2019entreprise Ba\u0165a. Elles incarnent une conception rationnelle et fonctionnelle de l\u2019habitat individuel, pens\u00e9e \u00e0 l\u2019\u00e9chelle du quotidien, du travail et du territoire.\u00a0R\u00e9alis\u00e9es entre 2008 et 2009, ces photographies explorent la relation entre lumi\u00e8re naturelle, climat et perception architecturale, dans des conditions ordinaires comme hivernales. La s\u00e9rie s\u2019attache \u00e0 observer comment ces volumes sobres, r\u00e9p\u00e9titifs et mesur\u00e9s r\u00e9agissent aux variations de lumi\u00e8re, aux saisons et aux usages. \u00c0 Zl\u00edn, l\u2019architecture s\u2019avance sans emphase. Des volumes cubiques, construits en brique, s\u2019inscrivent dans le paysage avec une rigueur calme.Ni d\u00e9coratives, ni monumentales, ces maisons issues du programme Ba\u0165a affirment une modernit\u00e9 de la mesure, o\u00f9 l\u2019architecture devient un cadre de vie avant d\u2019\u00eatre un signe. Cette s\u00e9rie photographique propose ainsi une lecture sensible de l\u2019architecture moderniste d\u2019Europe centrale, envisag\u00e9e comme une exp\u00e9rience lumineuse et habit\u00e9e, inscrite dans un contexte historique pr\u00e9cis et toujours lisible aujourd\u2019hui.

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\n \"Maison\n \n <\/div>\n <\/a>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Les photographies ont \u00e9t\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":42,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-636","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/pages\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":129,"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/pages\/636\/revisions"}],"predecessor-version":[{"id":1939,"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/pages\/636\/revisions\/1939"}],"up":[{"embeddable":true,"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/pages\/42"}],"wp:attachment":[{"href":"https:\/\/www.francoishardel.com\/en\/wp-json\/wp\/v2\/media?parent=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}